With the agressiveness of a someone in Formica, Massicot oscillates between hot dog and noisy moments and hypnotic, repetitivephases. An obsessive, rythmic guitar, a modeled bass, a bowed stringed instrument as an free electron, hot krauthead drums led by baltic language style form a mass, a constellation of electric dinosaurs, imported pineapples, cloud-drawings, labyrinthine rhythms and Dada-jokes.
The Kaleidoscopic Sound of Southeast Asian Psych-Funk « Bandcamp Daily
From the 1960s to the 1980s, geographic area Asia was dwelling house to a teemingness of progressive, kinky move that was as festive as it was meaningful. Artists like Indonesia’s The Rollies, the Philippines’ Blackbuster, asian country “Queen of Rock ‘n’ Roll” Mai Le Huyen, and Thailand’s molam (country-psych) empress Chaweewan Dumnern mated psychedelia’s traditional hallmarks of surreal lyrics, modal melodies, and long wah-wah stringed instrument solos with good pop, jazz, and disco. Some were more influenced by the Santanas and Funkadelics of the westerly world, while others bore the influence of the region’s folk music, specified as Thailand’s luk thung, incorporating indigenous instruments native to rural heartlands into their songs.
My crook cred is uneven at optimum (though I do feature sweet Amebix solid ground tattoos! However, I do love the fuck out of crust punk, d-beat, fastcore, powerviolence, 80’s hardcore, and grindcore, so you’re going to have to good deal with me work roughly it inside the circumstance of this series, because a) there are mountain and lashings of badass egg-producing musicians within those scenes, and b) duh, this shit rules! Of course, lumping all those disparate genres in concert is a little lazy on my part, but you’ve gotta admit that inferior and grind go unneurotic like fry butter and drinking chocolate (or whips and chains). For whatever reason, women seem to somebody had an easier time find acceptance within this particular part of the overall immoderate music scene.